Tuesday, February 28, 2017

Week 8 Growth Mindset

Two of my classes this semester have been pushing me further then ever in how I think about writing, not just creative writing but just writing in general. This class and Latin. With this class, I do not have the time to take my writings to several different people and have them go over and edit it. I have had to rely on myself. Latin has taught me so much about English surprisingly enough. Because of Latin, I now know what passive voice is, and how much I enjoy abusing it.

There are definitely things I still need to push myself on. I shy away from dialogue. I my mind I relate that so something akin to the plague. I need to force myself to sit down in class and comprehend texts, for more then just writing a story, rather than  relying on my classmates or teachers to explain it for me. I also need to push myself to go out and talk to others instead of hiding away in my room and doing homework all day.

This class has defiantly enabled me to feel more comfortable approaching difficult or taboo topics in a friendly way, like cannibalism or sexism. It has also allowed me to gain confidence in my creative side, something that I have always been wary of before. It is also a wonderful class for self-motivation, with out increasing that I may have given up on this class early on.

Hopefully later this semester, I can give myself enough confidence to tackle dialogue! At the same time I hope I can push myself further in other classes, especially those that I am bored in.

WeKnowMemes

Week 8 Reflections

It has been really fascinating to read the stories from all around the world. When choosing my stories, I have been trying to find ones that I have never heard about before in my main readings then familiar ones for my extra credit. The only thing that I have disappointed myself with is that I ended up not reading anything from Africa. Looking at my reading notes, I am not sure if they would be productive for anyone other then myself, and they definitely would not help a person who has not read the stories in question, as they give no hint of the original plot most of the time. The train of thought jumps around and trails off, most of the sentences are riddled with grammatical errors. The good thing is it follows my train of though, and gives me enough to wright new stories. That is what is important after all.

I am very happy with all of my stories bar one. I feel as if my stories reflect me as a writer and me as a person. I believe in very present, emotive, and immersive stories and my writing reflects that. The only one I am disappointed in is A Day in the Life of Gods. Even though it is a good story I think it showcases my weakness in writing. I dread dialogue, and will do everything in my power to avoid writing it. It so happens that that is exactly what I love the most about other peoples stories. So many of my fellow classmates can write dialogue, and they are amazing at it, and it makes me envious of that ability. Conversely, I feel like they end up missing part of the stories because they focus on the dialogue so much that there is not space for descriptions or support. To much dialogue and the story feels superficial.Oh well, maybe I should stop shying away from the dreaded conversation.

Quote by Edger Allen Poe
Quote Fancey

Monday, February 27, 2017

Reading Notes: Tibetan Folk Tales, Part B

How the Rabbit Killed the Lion
Oh, I want to rewrite this on so that there really is a she-devil. So the rabbit reluctantly goes to pay his respects but meets the she-devil on the way. She asks what has him so down and he explains. Then together they plot a way to rid themselves of the lion. The poor lion still drowns but not because he jumped after his own reflection but because he jumped into to the stream to confront the she devil and drowned because he could not swim.

How the Raven Saved the Hunter
No, now I want the bird to live. Perhaps he just injured the bird. And then he found it later and nursed it back to health? Or I could do a story about how the gods took mercy on the bird and changed into human shape. The hunter comes back to bury the bird but instead find the body of a beautiful woman,injured in the same way as the bird. He then nurses her back to health and they eventually marry or he becomes something like a father fig. The bird is wise and beautiful and brings great prosper to the hunter.

The Two Little Cats
How did the cats get found by the Handre in the first place. I propose that he was waiting and one of the cats god injured on the way home. He follow the blood trail and say the cats trying fix the injury. Either he frightened them and they over reacted or he tried to help them and they were terrified of his appearance. It would be interesting if he was perusing them the entire time because he wanted to help them. In this the death of the Handre would be sad because he as not being evil but his frighting appearance doomed him. Maybe the cats are punished because of this misdeed so they no longer can taste salt?
Raven that Saved the Hunter
Birds of America by John Audubon
Wikimedia Commons
Bibliography- Tibetan Folk Tales by Albert Shelton: online source

Monday, February 20, 2017

Storytelling Week 7: Eternal Beauty

Thousands of people come and visit her every year. She is a figure of awe and inspiration across generations. Everyone who has looked upon her face claims that they have seen the face of divinity. She has been here for centuries, no one remembers her past or her name, but legends have sprung up around her. There are tales, about how she must have saved the world, how she tricked the gods, or enchanted men with her beauty, and other such fanciful quests. Despite all this reverence, she is simply a beautiful corpse, there is no life in her lungs, no glimmer of mischief in her eyes, no flush of blood lies in her cheek. All the devotions and prayers in the universe will not change that she is simply a lifeless husk preserved in crystalline tomb. Nor will it change the truth, that all the stories about this nameless beauty are all wrong.
~~~~
Let us call this poor woman Princess Shītǐ. She was the only daughter of a wealthy king. When she was born, Shītǐ was graced with two things. The first being otherworldly beauty. Her skin was as pale as alabaster, her hair was darker then pitch with glimmers of raven within, and her eyes glimmered like liquid silver. She was perfect in every way, except one. Shītǐ was cursed. She had never ending bad luck. She would often be wounded in the most bizarre of circumstances and would narrowly escape death. Though she was quite intelligent she often made foolish mistakes that cost her dearly.

When Shītǐ was old enough, her father decided it was time for her to marry. She was to throw a bouquet of flowers over her shoulders and whoever caught it would be her husband. As she was walking down the path, she saw a young beggar man, called Cáifù, who was blessed by luck. Thinking that his luck may counteract her own dismal one she tossed the flowers over her shoulder at him. After he had caught the flowers, Shītǐ's father came up and asked her why she had chosen a poor urchin rather than a handsome prince. When she told him, he went into a rage and banished her from his presence forever. Distraught, Shītǐ fled to her new husband. They lived for several years in a small hut on the edge of town, just barely avoiding poverty, until her husband left to seek his fortune. Cáifù promised to return just as soon as he had succeeded in guaranteeing them a happy life. With this noble thought in mind, he left Shītǐ there, forgetting that she had no one other than him.

Many years later Cáifù returned, now rich and prosperous. In his travels, he had become wealthy and admired. That once destitute man was an emperor in his own right. But he had returned to his bride too late. Poor Shītǐ, was dying. Her life had drained out of her limbs. Her once lustrous black hair had turned silver with stress and worry. Limbs that had held power, now looked as delicate as the brittle bones of a bird. Her skin no longer glowed with an inner light, instead it was like marble, cold and distant. Shītǐ was still a thing of beauty, even as she lay dying upon her bed, but was a changed beauty from human perfection to something otherworldly. Cáifù rushed to her bedside, frightened for her in her fragility. Either it be by his great luck or her disastrous misfortune or some morbid mix of the two, he had arrived just in time for his wife to take her final breath and depart the plane of men forever.

Distraught, Cáifù took his wife's body back to his palace. He spared no expense in preparing her body. He placed her upon a bed of silks. She lay there resplendent in the finest of fabrics and adored with valuable gems, cleaned and perfected by the midwives. There the body of Shītǐ lays today, encased in transparent crystal for eternity. As for Miserable Cáifù, he went on to be a great ruler. Through his works, his people were able to overcome great battles and famines. His ingenuity brought his people into a new age where they thrived for generations afterward.

But no one remembers this. They only see the enchanting beauty of the woman and her misery. I guess it is true after all, time forgets everyone, it turns great men into memories and forgotten men into heroes.

Sleeping Beauty (Slightly Altered) by Charlie-Bowater
DeviantArt 

Bibliography: Chinese Fairy Book by R. Wilhelm: online source

Authors note: This story is more of "what happens afterword" the changing the original tale. In the original the beggar turned thief finds his wife and they go to his palace together-everything else is pretty much faithful to the original (physical changes aside). Unfortunately, in the original the princess dies anyway, just 18 days later. I decided it would be more tragic if she died in his arms when he had come back for her, not that big of a change. The important thing of my story was the irony. The princess did absolutely noting to earn her 'fame', not in life and certainly not in death. One would think she would be forgotten. Instead, her husband, who did many things that he should be remembered by, was forgotten. On a side not their names do mean something. Cáifù means wealth and Shītǐ means corpse.

Sunday, February 19, 2017

Reading Notes: Chinese Fairy Tales, Part B

The Little Hunting Dog
I want it all to be the imagination of  a little  boy who has been grounded and is stuck in his room without any toys. So he sees the insects and imaginings up a war for them to fight. The challenge will be misleading my audience into thinking its an actual battle until the end. I also want it to one of those stories where if you reread it you catch all the hits from the description of the surroundings.
-floor grassy fields of lavender
-light-the sun
- blanket-cave system
-shoes- great rocks
-piles of laundry- mountains
- book- high mesa

Retribution
I would like to see the story from the water carries point of view. Like when he fell down the mountain and the old man left him to die. The vague feeling of movement and becoming a newborn. Then the feeling of growing up, knowing that something was strange about you, almost like you were someone else, or like a memory just out of reach.

Child Playing with Wooden toys
Wikimedia Commons

Bibliography
- Chinese Fairy Book by R. Wilhelm: online source

Reading Notes: Chiness Fairy Tales, Part A

The Favorite of Fortune and the Child of Ill Luck
See, I am going to be really cruel here, just because I can. I am going to keep the entire first part of the story, just the way it is. Princess has bad luck-sees the beggar blessed by luck- marries beggar and is shunned by father- beggar goes to seek fortune and then returns to retake his bride. Only in my story- he comes back to find her body instead of her or comes back to find her at her last breath. Utterly heartbroken he takes he and preserves her body and has this elaborate funeral..thousands of years latter the man is forgotten and her body is worshiped as a goddess.  He was favored in life- and she in death.

The Cave of the Beasts
The daughters have to take the place of the wolf and fox as the protectors of the cave because they killed them- Daughters transform in to deities, beautiful and powerful. When the  father comes to take them they can only leave at night or they vanish into morning mist or perspective animals  until the next night. so they grow up somewhat wild.

Lady of the Moon
It would be interesting to look at the world from (Tscang O) the lady of the moon. To see how lonely she must be despite living in a palace make o star dust. Having to be someone who is doomed to forever listen and watch as everything from starstruck lover to crimes of passion happen beneath her rays-. So when the emperor appears he can feel the sadness lingering in the air. He enjoys the beauty but always feels slightly uneasy.

Ember Fox and Demon Wolf by Lady-Vossler
DeviantArt
Bibliography- Chinese Fairy Book by R. Wilhelm: online source 

Saturday, February 18, 2017

Reading Notes: Jamaican Anasazi Stories, Part A

Tying Tiger
It would interesting to see a back story to how the tiger got the tree in the first place. Like the gods gave it to him and then told him that as long as he was the only one to eat of it he would live forever. I mean I kind of feel sorry for the tiger. So I would like to give him a redeeming  feature, aside from being idiotic enough to be tied to a tree, maybe the monkey (?) drugged him or something.

Tiger Catching the sheep-Thief
I want the tiger to eat Anansi. So he dresses up as a sheep and everything because Anansi is a horrible person and is tormenting and beating down the local people. Tiger, being the nice person he is, volunteers to do away with the irritant . Instead of helping Anasi to gain a new skill the tiger kills him. Then the tiger goes back to the village and lives the rest of his life in luxury.


Eating Tiger Guts
I feel really bad for the tiger. I want to write a funereal for the poor thing. Make it really elaborate and pretty with thousands of creatures coming to pay tribute to the king of the jungle. Then when they here that Anansi "killed" him thousands of people began to hunt him down. It would start with someone finding the dead tiger at the river side- then continue and increase in angst from there- you know family wailing, friends weeping and such . Until the funeral (will have to research this) in traditional practices, after the funeral they hear about what caused the death and it pretty much creates a mob. Ohh- Poem Tiger Tiger Burning Bright interspersed between scenes.

Tiger at Rest by Antoine-Louis Barye
Wikimedia Commons

Bibliography- Jamaican Anansi Stories by Martha Warren Beckwith: online source